With Avengers: Endgame still only on the cusp of its third theatrical week and already overtaking every film on its way to become the second highest earning film of all time. It managed to unseat Titanic and knock it down from the position it held for ten years. The director, James Cameron (who also hold the number one spot with Avatar) took to social media to congratulate the Avengers: Endgame directing duet, Joe and Anthony Russo. This congratulations came in postcard-esque format and hearkens back to ye old days of George Lucas’ and Steven Spielberg’s back and forth at the box office.
The endearing tradition began in 1977 when, what was know just as Star Wars back then (now known as Star Wars: A New Hope) took over from the massively popular sea monster thriller, Jaws. The letter is a personal congratulations from Steven Spielberg to George Lucas for overtaking his film as the number one highest earning film at the box office. Its been know that Spielberg and Lucas have a close and friendly companionship, often known to advise each other on their next blockbusting venture and even working together to produce the Indian Jones franchise.
In 1982, Steven Spielberg
took back the title with his family sci-fi film, E.T. Following from his congratulations to Lucas, the sentiment was mirrored with this heart-felt image of the
characters of Star Wars holding up E.T in celebration.
Then in 1983, George
Lucas released what was thought to be the last Star Wars film, Return of the
Jedi. Although this film did not take the record from Spielberg’s E.T, congratulations was still awarded, and I think its
clear to see which of the Star Wars characters is Spielberg’s favourite.
In 1998, a new player entered the game. James Cameron’s hit drama based on true events, Titanic, took to the waves and overturned
all previous records. At the time Jurassic
Park was at the top of all films, but it was Lucas that offered the congratulations with this comical image of
the Star Wars characters on the Titanic.
Jumping into the 21st century, The Avengers, in 2012, took the record for biggest opening weekend away from Star Wars and at the same time re-invigorated the tradition of passing congratulations. Although this time the director didn’t take ad space in a newspaper, but instead spread the image across social media, for a global audience to see.
Then 2015 was a big, big year for film box office. Firstly,
with Jurassic world taking the
biggest opening weekend from The Avenger.
To later the same year Star Wars: The
Force Awakens taking it from Jurassic
World. You can see how the format has changed, with the size of the image
being more suitable for social media now, rather than taking a single page in a
newspaper.
And finally, we arrive here in 2019. Where Avengers: Endgame not only take biggest
opening weekend of all time, along with more records, but it places second in
the biggest all-time films list and looks like it could take the top stop too.
This is the second week Avengers: Endgame sits as king of the box office. It still out beats all the competition even though three new films came out this weekend and they’re not small films either. The three new films are genuine summer blockbusters with the most successful of them being, The Long Shot, Seth Rogan’s new comedy venture. Not only does Avengers: Endgame still stand victorious in the UK, it is not the second highest grossing film of all time, sinking the Titanic to third and coming up close behind Avatar. Because of Disney’s acquisition of Fox, it means that all the proceeds form Tolkien now go to Disney and they technically have four films in the top ten UK box office.
Eighth Grade, an American indie film by the talented comedian Bo Burnham, has finally had its UK release and you can see why it was put off for about a year after its US release, because it barley holds on at the bottom of the top ten. Although the film has had very high critical appraise and would probably do very well when it hits the streaming circuit, if it has the proper promotion that is.
Film is but a medium for storytelling and storytelling is a
universal language that spans generations and cultures. From classics that are
loved by all to new films that spawn avid followings there is always going to
be something for everyone.
With massive franchises such as Star Wars that reach across generational boundaries, there is no
shortage of a targetable market for studios when it comes to blockbusters such
as these. In the case of Star Wars, its
first instalment was released in 1977 and its most recent release being last
year (2018). That’s 42 years, 11 theatrically released films, cartoon and
animated series’, toys, collectables, comic books, novels and conventions all inspired
from one film. And all of these things rang from collectables, costing thousands
of pounds, targeted towards the working professional and blind bag toys
marketed towards children. Its rare to see one brand become so diverse but Star Wars isn’t the only one to do it. Recently
Marvel superheroes have been
dominating the box office since 2008 and with the backing of Disney and there seemingly endless mounds
of cash, Marvel have made a whopping
22 films in the last 11 years. The advantage to these franchises is how they
are accessible to any and all generations. With Star Wars being influenced by a long history of science fiction and
Marvel having the backdrop of 80
years of comics and character development to draw from. These story help to
bridge differences between the generations by creating a common interest, but
they also stand as a time capsule for the year they were made in. 1977’s Star Wars: A New Hope was ground breaking
in its use of practical and visual and even launched the effects studio Industrial Light and Magic, which now
produced some of the special effects for Marvel’s
Avengers: Endgame. The advancement of technology has allowed for even more
crazy things to come to life such as a massive alien army fighting an army of Asgardians, Mages and Wakandan Warriors.
The social media buzz around the Detective Pikachu film has gone on a long journey. It began with intrigue
as to why the first Pokémon live
action film had a detective noire slant. Then people became sceptical, because films based
on video games tend to not do so well. Once people saw or rather heard Ryan Reynolds in the role of Detective
Pikachu, they started to get on board. Pokémon
is so close to the hearts of many people and bring a very strong feeling of
nostalgia to those who grew up with the 90’s phenomenon. Therefore, it can be
difficult to market it and please all the fans. One way they seem to be side
stepping this issue is to create funny viral videos that don’t spoil the film
but still manages to portray the character.
The most recent video was released just before the premiere of the film. The joke twitter account called Inspector Pikachu was made to look like a new account, with no profile picture. The tweet was then re-tweeted by Ryan Reynolds and thus, see by the masses. As of writing this the tweet has 55,896 likes and 24,566 retweets.
The video its self is meant to look like a leaked, prated version of the whole film. And it does look like an authentic copy. The length of the video matches the run time of the film and it begins with the opening title credits for the studios who produced the film. It then begins to play the first 30 seconds of the film before quickly cutting to what the video actually consists of. The rest of the video is one and a half hour of Pikachu dancing to 90’s style music. It has over 14 million views and 44 thousand likes.
I created this blog post to align with the recommendations set by @OurDerby. You can find their blog which provides insight into the city of Derby here: https://ourderby.wordpress.com/
Let’s explore what Derby has to offer in the realm of film
and entertainment. The rise and subsequent fall of the British high street has
had an interesting effect on the cinema landscape. Derby city centre has seen
20 different cinemas over the years, with the first being established on Curzon
Street in 1904 and conducting regular screenings on Saturdays. Cinema
technology has come a long way since then and Derby has some prime examples we
can explore.
If you are looking for things to do in Derby city centre,
its so easy to access the showcase. Being located in the shopping centre it has
everything you need, parking facilities, a food court just down stairs and of
cause all the latest blockbusters to enjoy.
The Showcase has the largest screen available in Derby
combined with complete surround sound, the XLR viewing experience is not one to
miss especially when it comes to the biggest films of the year, such as the
recent Avengers: Endgame. There is also the option to splash out an take a trip
to the Directors’ Lounge, a smaller screening venue with large seating and a
bar right outside, not to mention complimentary popcorn and a drink.
Odeon Luxe Derby
Location: Meteor
Centre, Mansfield Rd, Derby DE21 4SY
The Odeon cinema in Derby can be found just outside the city
centre, thus it is centred around a calmer atmosphere. It is therefore perfect
for more intimate occasions particularly because all the seating in every
screen are recliners, so you will have plenty of leg room. Even the entrance
conveys a message of luxury, with their blue and chrome house style, the foyer
greets you with a large selection of drinks and nibbles to choose from. As well
as casual viewings the Odeon offers a monthly membership that will allow you to
view as many films as your heart desires.
The Quad cinema is the most unique cinema to Derby. It is
run on the principals of participating in art and therefore aims to educate
through creative activities including films and exhibitions. It’s a strong
supporter of the indie scene and often presents films you won’t see in the
other cinemas. You will be able to find films from all corners of the earth and
even home-grown projects. They offer events such as Q&As with directors,
links with film festivals and re-releases of classics. This cinema is a home
for true film fans.
The history of this cinema works as a perfect Segway to the
next section. With some of the original projection equipment from the Metro
cinema, a historic independent cinema that sadly closed in 2008.
Past Cinemas
Cinemas have a history of being some of the most architecturally
interesting buildings that lit up the high street. Sadly, those days are gone,
as are most of the buildings in Derby.
The Hippodrome is one of the remaining buildings from cinema
days gone by. It was opened in the 1930’s, located on green street in the heart
of Derby city. It was both a theatre and a cinema.
The building itself has had a storied past. Its hosted
guests such as Morecombe and Wise, it was turned into a bingo hall and almost
destroyed to build a car park. Now it sits idly by waiting for the next
investor to decide its fate.
Unless the Derby Hippodrome Restoration Trust has anything
to say about it. Even though the building is infected with rust and decay, they
still hold a consistent effort to save this time capsule of a building.
Disney’s recent acquisition
of Fox studios and all its intellectual
property has often raised the question as to what the future of both studios
looks like. Now Disney have provided
us all with an answer. They have released an official film slate for what they
have planned for the next eight years.
2019 Slate
2019 has been a very big year for Disney, with Avengers: Endgame
coming out in this year and as of writing this post it does not hold the
largest worldwide box office record, but its looking like it will get there. The
acquisition of Fox was also finalised
this year and Disney have their Star Wars Galaxy’s Edge in the summer.
Going forward Disney still
have 15 films to be released globally this year:
Tolkien – A story of J.R.R Tolkien’s
life leading up to his creation of the Lord of the Rings books.
Aladdin – A live action re-imagination
of the Disney classic of the same name, starring will Smith
Dark Phoenix – The conclusion to Fox’s
long-lived X-Men franchise
Stuber – A comedy action film that
pairs an Uber driver and a cop.
The Lion King – Another live action re-imagining
of a Disney classic
The Art of racing in the rain – A
story from a race car drivers’ dog’s perspective
Ready or Not – A suspenseful twits
on a bride’s wedding day worries
Ad Astra – A space journey to find
his missing farther
The Woman in the Window – An agoraphobic
woman witnesses a crime
Maleficent: Mistress of Evil – A further
exploration into the villainous character
Ford v. Ferrari – A stylised story of
the tension between Ford and Ferrari at the Le Mans race.
Frozen 2 – A sequel to the hit 2013
film
Star Wars: Rise of the Skywalker – The
thrilling conclusion to this generation’s Star Wars trilogy
Spies in Disguise – An animated kids’
film about a spy that turns into a Pidgeon
Fox Marvel Slate
With 19 more films set to come out in 2020, many of the upcoming
Fox Marvel films have been removed. The
only one still set to be released is The New
Mutants, whether it will be a theatrical release is another question. It seems
that Disney are very adamant to keep
as much control over their Marvel
franchise as possible, with six untitled Marvel
releases to come leading up to 2027.
Star Wars and Avatar releases
Along with the acquisition of Fox, Disney clamed
ownership of Avatar, the only film
that grossed higher than Avengers: Endgame
so far. And with their slightly disponing performance of Solo: A Star Wars Story, both in the box office and fan reception,
they have stated they will discontinue the Star
Wars Story line and instead focus on a new trilogy. So, starting in 2021
with the release of Avatar 2, each
year will see an adulterant release of Star
Wars and Avatar.
In a post Avengers:
Endgame world, social media can be a minefield for spoilers. However, as
the saying goes; the show must go on and it does. Marketing for the new Spider-Man film, the next instalment to
the Marvel franchise, is well
underway so the question is how can you market a film that contains spoilers
for the last film, or is it even an issue and people should just know this
already? The interesting thing about this case is how Disney don’t have complete control over the Spider-Man character rights, those belong to the production company
Sony. This is the reason a first
trailer was released after Avengers:
Infinity War when Spider-Man was
among the casualties of the snap. So, if it were up to Disney we would not have seen any footage up until now. Being that
this second trailer was released so close after Avengers: Endgame the marketing team at Sony made sure to put a spoiler warning at the beginning.
The interesting thing here is how pop culture influences an
organisations marketing, because spoilers and fandoms have become an element of
consumer behaviour organisations need to be able to navigate through them not
as a corporation but almost like individuals. For instance, the spoiler warning
before the new Spider-Man trailer was
delivered by the star of the film, it just adds a personal touch that fans can
appreciate.
There is always a divide between TV and film, in this case
the social media campaign to #dontspoiltheendgame was launched and endorsed by
influencers and the common people alike. However, when it comes to the equally popular
Game of Thrones GIF’s from the
episodes climax were immediately spread across the social waves. When it comes
to TV, there is a community aspect that can be uniquely enjoyed in that
everyone, even across time zones, is watching the same thing as you at the
exact same time, so how much of the responsibility to avoid spoilers fall to
those that didn’t watch live or is there a solution the marketing team can
create to provide one online location for all those watching the show live?
Avengers: Endgame opened
this weekend. This film is defiantly going to be the biggest of the year and
possibly of all time. In its first week it reached over £14 million, which is
quite unprecedented in the UK. Globally it has already broken 21 records, taking
titles from the likes of Star Wars, pervious
Avengers films and Jurassic World. A lot of the records are
along the lines of most earned on a Thursday etc. some of the big ones are:
It held the heist percentage of movie market share
that week with 90%.
Global 4DX format with $15 million, that’s double
compared with the previous record holder.
Fastest to $350 million in three days. It took Star Wars: The Force Awakens 5 days to
achieve this.
Global IMAX opening at $91.5 million.
This means that Disney
have three films in the top ten UK box office, all of which have been at the
number one spot at one time or another. And Captain
Marvel has been in the top ten since I started keeping track of it, this
suggests that Avengers: Endgame will also have a very long run in the cinema and
therefore I have come to the conclusion that it will eventually take the number
one highest grossing film of all-time record.
A new Sonic the Hedgehog
movie trailer was released and instantly caused a stir on social media, not
much of it was good either. The film is Jeff
Fowler’s first directorial
theatrical release. The trailer also inspired Google to create a 6-bit animated GIF of Sonic, when people search for him, the little animation was also
interactive and if the users clicked on him enough times, it would give him a
power up. The trailer gave a large glimpse into the first live-action installation
in the Sonic the Hedgehog franchise,
it introduced audiences with much loved characters and left them questioning, do
we really need a live action Sonic the
Hedgehog and why does it look like this? So, lets explore the ups and downs
of the trailer.
Jim Carrey as the Eggman
That’s right comedy legend, Jim Carrey is going to be
playing the largest antagonist from Sonic
the Hedgehog. The odd ball actor has been known for having some of the funniest
films in his filmography as well as some mediocre movies and his career has
seen a purposeful slowdown, and this seems an odd choice. Although he is a
strong influencer to be connect to this title and seemed to enjoy playing the
role form what we saw.
Sonic’s Design
The largest gripe with the new film is how Sonic looks. After
the trailers release social media was flooded with fans creating their own,
better versions of the characters design. The issue largely stems for the films
version not being stylised to fit the iconic silhouette of the titular character.
There has also been concerns as to how much the sportswear brand, Nike had on the film and its design. Because
the massive brand has large product placement in the film its interesting to
think about how much influence over the film their financial support brought
them.
Update – Team Takes Time to Redesign
After the major backlash on social media, about the titular character’s
design. The team behind the film have announced that they will be working to
improve the look of the film before its cinematic release.